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The Model (Poland, 199?) Unofficial Euro Star ES 2213 Time for another Polish pirate cassette! This time, though, a compilation, one of the few that weren't "curated", so to speak, in Poland...  "The Model 1975-1978" was a compilation on the US Cleopatra label, released in 1992. It features tracks from Radio-Activity, Trans-Europe Express and The Man Machine, some of them in their original single edits, and Les Mannequins which had been issued as the b-side to its English-language counterpart Showroom Dummies on a promotional "disco" 12" single. There are several Polish editions of this, this one has all the tracks from the compilation - not in the same order, though, they have been jumbled around, I suppose it was an effort to make two programmes of equal lenght. Apart from starting the cassette with the title track, which is not unjustified for a best-of compilation with a title track, they somewhat surprisingly placed Trans-Europe Express on Si
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TRANS-EUROPE EXPRESS (Canada, 198?) Capitol 4N-16301 Sometimes, writing about these cassettes makes me revisit previous posts. This time, here's the Canadian re-edition of Trans-Europe Express, which made me check a few others... Most Canadian cassettes come in a simple 1-panel J-card, printed on one side only, and this one is no exception. The backflap has the legal info, and a note that says "Previously released as 4XW-11603", setting it apart from the first edition. The cassette is black with grey print.   As an aside, the reason I checked previous posts was that I noticed the Dolby logo has "HX PRO" printed on it, and I have forgotten when that was introduced. One source on the www claims that Dolby HX Pro - sometimes only known as Dolby HX, an acronym for Headroom eXtension - was introduced in the early 1980s, so if that is correct, this cassette is not from the '70s. It shares label design with the mid-80s re-issue of Radio-Activity , too, so it sta
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THE MAN·MACHINE (The Netherlands, RE 199?) EMI/ Capitol 1A 238 15 7597 4 Another follow-up of earlier posts, today it's a Netherlands/ Europe reissue of The Man·Machine! This one does not have the FAME logo anywhere; there's no XDR logo on the front, either, but they're printed on the cassette. Otherwise, it's fairly similar to this one which I featured earlier: It comes with a simple one panel J-card in thin glossy paper, printed on both sides. The J-card front still follows the standard FAME design palate, placing the LP design in the lower part of the front of the J-card, against a white background. The band name and album title above this, and further north, the Capitol logo, "Dolby System" and cat.no. The spine of the J-card has an EMI logo, no Capitol there, and the cassette has both (again like the FAME edition posted earlier). Although the XDR logo is on the cassette, the inside of the J-card does not replicate the info about the "XDR syste
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THE MIX (Greece, 1991) EMI 14C-264 7966721/31 Official product again today! And it's the Greek release of The Mix. This Greek edition is a bit surprising, really: As we've seen here before, most countries had a full, 4-panel J-card, with pictures and graphics and credits and bells and whistles. This one, on the other hand, is a one-panel effort, with the track list printed in black on white on the inside. Not only that, but the cover is pretty badly reproduced; the white marks on the front, above the band name, are all printed, not flaws on my copy. I actually was worried that my copy might have a reproduced cover, but Discogs has a picture of a still sealed copy with these blemishes clearly visible! The cassette is grey, with on-body print in two colours. Oh, and the front of the cassette case has that strip of Greek info that I think was on all cassettes in this country (cfr this post for another example).
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COMPUTER WORLD (Italy, 1981) EMI 3C 264 64370 Haven't had an Italian one in a while, so let me present this early Italian edition of Computer World! We've seen the reissue of course, in a previous post. That had a different take on the design, while here we see a more conventional approach - the whole front in yellow, with the grey terminal showing the four silhouettes of Kraftwerk, and the band name and album title above. Note that Italy went for hi-viz here, the album title is printed in larger letters than most other territories, similar in size to the German original. The cassette comes packed in a 2-panel J-card, printed on one side, and stamped on the spine as I think was the rule in Italy at the time. Speaking of spines, this one is blue, as on most Italian cassettes - whether it's an EMI standard, or an Italian standard or what, I can not say, but have a look round the blog for other Italian examples. The cassette is off-white with black on-body print. Very nice!
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RADIOAKTIVITÄT (1975, Germany)  EMI Electrola/ Hör Zu 1C 244-82 087 Welcome back to my Kraftwerk cassette blog, and today I'm presenting a variant of the German edition of "Radio-Aktivität"! I'm saying "variant" because I've had one Radioaktivität before ; that cassette was black but this is blue. I know of several editions even of the blue cassette, with different coloured label print. This has blue labels, or rather, the print is "negative"; the on-body print is the light blue background. The J-card is nearly identical to my first post on this German cassette; a 2-panel J-card printed on both sides, but the tracklist is only printed on the inside, and the right panel, where you'd expect to see the tracklist, is blank. One funny detail on the J-card is that on this copy, the spine has the catalog number from top to bottom, ie the same direction as the band name, album title and "Kling Klang" (which I suppose is kind of their own
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AUTOBAHN (1985, Canada) Elektra 92 53264 Back to the Canadian "Super Cassettes", and today it's Autobahn. Fascinatingly, this post will not exhaust the supply of Canadian Super Cassette releases of Autobahn! So. The "Super Cassette" or ("Super C Cassette"?) was an idea for better sound reproduction, which I've already dismissed elsewhere on the blog. OK, I'm sure it isn't as bad as it could have been, but by 1985 we already had the CD, so cassettes were cheap and convenient, but probably not the audiophile's format of choice. Anyway, this came in a 1-panel J-card with print on both sides, and a full-panel backflap (so, a 2-panel U-card, then?). The re-touched Emil Schult painting was used on the front here, as with most other places; in Canada, the cover is reproduced at the top of the front panel, in full, with band name and album title below. The slightly cropped backflap has the tracklist and a little bit of credits. The inside is w